Mario & Luigi: Dream Team review - sometimes a snooze

Mario & Luigi Dream Team review insert subtitle

Mario's role-playing forays provide a welcome diversion from the franchise's saccharine, straightforward personality. As great as most Mario games are, the RPGs are appreciably different, almost irreverent in how they twist that fallback of plumber-saving-princess into something weird, wonderful, and witty.

For all its strengths, Mario & Luigi: Dream Team falls a bit shorter than hoped on wit and wonder, but what I find most lamentable is its struggle to be weird, because it has such the opportunity to. Setting half the game in Luigi's psyche is inspired; there's much that can be done with Mario's second-fiddle sibling. Sadly, it's never capitalized on, at least not in the script. Instead, it's up to the amusing peripheral cast and vivid combat to sustain Dream Team, and happily they do, just about.

Mario and Luigi: Dream Team (E3 2013)

Dream Team sees Peach again suffer a kidnap-obsessed villain, this time on Pi'illo Island where a (yes) pillow-like race reside in a dormant state. Luigi has to reawaken the Pi'illos to save the day, which he does by snoozing on them, of course. This opens a dream portal for Mario to jump into and do his more proactive day-saving. Play alternates between the 3D overworld of the island, in which the brothers search for the sleeping Pi'illos, and the 2D world inside Luigi's mind.

Mario is joined in the latter by Dreamy Luigi, who has special reality-unhindered powers; think The Matrix: Reloaded, but less angry teeth. On the lower screen, Luigi's dozing visage is prodded and twisted to produce odd effects in the dream, like a palm tree slingshot to catapult Mario with, aimed by tugging Luigi's tache. It's in combat Dreamy Luigi goes all Agent Smith, joined by dozens of other Luigis to either complement Mario as support units or clump together in special attacks.

The Luigi-stuffed special attacks are the definite highlight, even if they drag on a bit in an already long RPG. Still, it's worth 30 seconds or so to roll over lines of Luigis and create a huge snowball of plumber, or jump on one Luigi crowd after another to make a lumbering green tower to stomp with. These very odd attacks look great, require some skill to execute, and deliver satisfyingly big numbers to boot.

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The turn-based combat is strong overall, a bit sluggish initially but solid once the challenge ramps up. Timing jump and hammer attacks is easy for bonuses, but reading enemies' cues to dodge and block is tougher, and Dream Team keeps enemies and their cues fresh throughout. My only gripe is the discrepancy between its real-world and dream form, the former's teamwork-based specials dull compared to the Luigi-en-masse madness.

The creativity and variety of the dream world's combat stirs the imagination, but that only compounds my regret the dreamscape itself is played so straight. Luigi may have the clumsy-but-charming shtick but it seems he's too sycophantic and too plain nice to have anything interesting upstairs. As such, his dream world is a repetitive place to be in, from the samey way it looks to the formulaic process of exploring it, solving a few puzzles, and finding the Pi'illos. I'd love ifDream Team considered what it means to be in Luigi's head beyond the predictable. It feels like an idea that's great on paper, but isn't given the room to be executed interestingly – at least outside of combat – and the result leaves me weary.

Maybe it's expecting too much, but when I see the strangeness of the cast around Mario and Luigi, I wonder why the idea wasn't truly explored. Despite a script that labors the point, straining hard to remind me how oddball it is with excessive use of the same piece of wacky music and WTF-like dot-dot-dot silences, Dream Team delivers a witty, wry wander into the world behind the plumbers.

If only the main Mario games would more often dare to include things like an elite group of Bowser's minions who whisper schemes of promotions and power, or my favorite, a pair of muscular Russian brothers whose crazy beef-obsessed catchphrases like "PRIME STEAK!" are only amplified by them literally looking like slabs of meat. Developer AlphaDream conjures up some interesting characters, but credit must go to Nintendo's localization team, who do wonders at times with dialogue sequences that could otherwise really drag.

Maybe the greatest difficulty AlphaDream has with Dream Team is the strength of what's come before it. The characters are enjoyably bizarre, but they don't make me laugh out loud, and there aren't many as memorable as the Russian meatheads. Add that to an under-explored premise, and the 3DS RPG is always going to compare unfavorably to its heritage. Taken on its own, however, and for many it will be, it's strong enough.

There are plenty of side distractions to unearth, too. Many more hours beyond the campaign's 40 or so can be put into exploring the world, trying to find the hidden puzzle pieces to get special attacks and beans to boost stats, and uncover the really special items. Necessary they ain't, but the Metroid-like accumulation of powers opens up areas across the campaign, making exploration natural.

Dream Team does a lot of things right, and is a satisfying detour for a franchise that is risking too much predictability it its main guise. It's hard to shake that feeling of a missed opportunity, of a premise not fully realized that therefore exposes some comparative shortcomings. Yet when I reflect on my time with Dream Team, the memories stir an airy, childish smile, the kind few games do. It's just that smile could've been a lot, lot wider.

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Review: XCOM for iOS

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Review: XCOM for iOS

Be all that you can be.

There’s a lot riding on this shot.

It’s night in Mumbai. We’re in an army depot. Tanks parked in neat covered-and-aligned rows smoulder like spent fireworks, giving off an eerie orange glow. Captain Javier “Hex” Soto is resting his sniper rifle in the crook of his arm, lining up a standing shot on a monster.
A chryssalid is a half-again as tall as a man and sports a spidery assortment of arms, legs, and fangs — it’s responsible for the unnerving soundtrack of screams provided by the terrified civilians who dart between the columns of burning tanks looking for somewhere to hide.
The chryssalid in question is standing right next to the rookie, a kid from Russia named Gusev whose shaky aim emptied a magazine into thin air when he tried to kill the monster himself. If Soto misses this shot, that chryssalid is going to tear Gusev in half (if he’s lucky) and Soto will be the last man standing from the five that I landed in Mumbai ten minutes ago. If Soto misses this shot, he probably won’t make it back to the Skyranger alive to bug out. The government of India, already shaken by the reports of alien abductions and terror attacks will almost certainly withdraw from the multinational project that funds my team. And if India follows the other nations who’ve already withdrawn, I may not have enough money next month to keep pace with the inexorable advance of the alien horde. I will lose, and humanity will lose with me.
Don’t miss this shot, Soto.

XCOM is fond of night missions — which means you’ll turn the brightness up on your device, which eats battery faster.

This is XCOM, the 2012 PC & console re-make of the 1994 Microprose classic. XCOM is the story of an alien invasion and the men and women you lead in an attempt to repel it. Like its forbear, XCOM is a strategy game that gives you a remarkable set of tools, and then gets out of your way to let you tell the story yourself. Unlike its forbear, I’m playing it on my iPad.
2K and Firaxis were entirely up front with us when they announced this port a few months ago. XCOM for iOS was going to be the full-fat console/PC XCOM — with a few concessions. To run on the more modest iOS hardware, affordances would have to be made, meaning that some of the less crucial content would be cut out.
Gone are the alien autopsy and interrogation videos and the custom colors for armor. The cars found in urban missions don’t explode with the same verve that they did on the PC, and the smoke from smoke grenades doesn’t billow as much as it used to. These details were wonderfully immersive, but ultimately just window dressing. The important stuff is still there. You are still the XCOM Project’s all-powerful administrator, training troops and assigning research priorities. You are still the battlefield commander, making every tactical call in the turn-based battles. The game doesn’t include the Second Wave options that were added as a free DLC after the PC/console release last year, unfortunately, but the game’s difficulty settings are still brilliantly calibrated: Normal for those who prefer their AI opponents to lose gracefully, Classic for players who enjoy living on the knife edge of failure, and Impossible for utter sadists.
There are fewer unique battlefield levels than there were in the PC version, but only those who replay the game again and again are liable to notice. It’s possible to run into the same maps twice in the same playthrough, but because you are constantly evolving your forces to keep pace with the new monsters that the aliens throw at you, you won’t have the same tactical challenge repeated. Maybe you’ll be fighting sectoids and floaters with slug-throwing rifles the first time you see the graveyard map — if you see it again later you’ll be hunting mutons and cyberdiscs with heavy plasmas and alloy cannons.

Sometimes you eat the bear, sometimes the bear eats you.

For all the good things that XCOM for iOS has borrowed from its predecessor, it’s also inherited some of its quirks. Inventory management is still a boondoggle that will have you hunting through your barracks one locker at a time to find the soldier that took the last medikit with them off-duty. The idiosyncratic way that the game spawns bad guys is still there, too: squads of aliens pop out of a terrifying jack-in-the-box when you reveal the tile they’re hiding in — a system that punishes noobs and that experienced players find easy to game.
XCOM works beautifully on iOS. The controls are perfectly set up for a touchscreen, and it’s satisfying to discover iOS control metaphors turning up in unexpected places: you can switch between soldiers on the battlefield by swiping their names, or use pinch-to-zoom to explore the subterranean XCOM base in the strategic layer. Every once in a while you run into a hitch that reminds you that you’re playing a game originally designed for another platform (pinch-to-zoom has a tiny bit of lag on the tactical screen, and the game’s loading times are prodigious), but by and large it’s hard to spot the seams in the port.

The “ant farm” base is more fun to explore on a touchscreen.

Like Soto’s rifle shot, there’s a lot riding on XCOM for iOS. This is the second time that XCOM has been forced into the role of coal mine canary. Last year, industry observers scrutinized the game’s launch to see if the gaming public was prepared to pay top-dollar for a AAA turn-based strategy game, a genre that conventional wisdom had consigned to the dustbin of the 1990s along with AOL dial-up CD ROMs and Lucasarts adventures. Now XCOM for iOS is a weathervane for determining if Joe iPhone is ready to spend $20 on a mobile game. I hope he is, because XCOM is worth it.
XCOM for iOS might be burdened with a few irritating telltales of its console origins, but it’s a close enough to a native experience that those foibles are worth putting up with. It is one of the deepest and most satisfying video game experiences you can have on a mobile device, and despite the details that have been shaved away in the porting process, it’s still capable of generating true drama.
Don’t miss this shot, Soto.
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